Author
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Topic: If you could interview your favevorite composer, what questions would you ask
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Scott

Oscar® Winner
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It doesn't have to be your favovirte composer. I would ask how many minutes of score does he/she usually compose in a day. What is the favevorite type of movie they like to score. How detailed are their sketches and do they really need their orchestrators. What type of music do they prefer to write Which composer do they admire most and why Which orchestra is their fave and why Advice on how to get into the business and... if they know Jeron (lol) j/k What about you?
Scott
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posted 08-25-2000 05:46 PM PT (US) ip
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JJH

Oscar® Winner
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I would ask Trevor Rabin how he developed his classically refined and sophisticated use of the orchestra...  hee hee hee.... NP -- The Beach, Badalamenti
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posted 08-25-2000 05:52 PM PT (US) ip
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Aaron Collins

Oscar® Winner
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Scott,Every time you use the word, "favorite" you spell it way wrong and differently! LOL! I will get back to this post. Later, Aaron
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posted 08-25-2000 05:56 PM PT (US) ip
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Camillu

Oscar® Winner
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I'd probably ask the more established ones if they ever thought up themes whilst daydreaming and then built a score around them. (I read somewhere that Elfman thought of the Batman theme on a plane and rushed to the loo to record it on tape)I'd also ask Williams which is his favourite track. And if he ever listens to other composers' work...and which. I'd also ask them if they would ever score a film they're not to keen on if the director offers quite a hefty sum. I'd probably ask Zimmer why he doesn't put his great thematic and melodic skills to a more orchestral use more often. Then again, I'd probably forget all the above if I ever get the chance. NP - Sommersby - elfman
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posted 08-25-2000 05:59 PM PT (US) ip
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Camillu

Oscar® Winner
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Errm, I know many words are changed in american use, but in the Queen's English, the word is...'favourite' Not that I want to be fussy... NP - still sommersby. [This message has been edited by Camillu (edited 25 August 2000).]
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posted 08-25-2000 06:01 PM PT (US) ip
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Timmer

Oscar® Winner
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I would like to have asked people like Prokofiev and Vaughan Williams how they felt about scoring films to 'serious' compositions?!In both cases Prokofiev and RVW turned film scores into serious classical works!
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posted 08-25-2000 06:10 PM PT (US) ip
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JJH

Oscar® Winner
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Timmer,I don't have any RVW film scores! tell me more!
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posted 08-25-2000 06:12 PM PT (US) ip
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Timmer

Oscar® Winner
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Ralph Vaughan Williams did... 49th Parallel Story of a Flemish Farm coastal Command All on Marco Polo 8.223665and of coarse (which I guess you already know JJ, Scott Of The Antartic which became the brilliant Symphony # 7 'Antartica') Tim
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posted 08-25-2000 06:40 PM PT (US) ip
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Scott

Oscar® Winner
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Well, gosh darn it, Aaron. At least I got you to post LOL. Favorite Happy? Lol. I really do hate my spelling and then my typing because half of my misspelled words are accidents due to my pathetic typing. So, there. Scott
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posted 08-25-2000 07:05 PM PT (US) ip
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Observer
Oscar® Winner
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What is the air-speed velocity of an unladen swallow? (BothAfrican and European.)Couldn't resist.
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posted 08-25-2000 07:33 PM PT (US) ip
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scoreguy15
unregistered
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I would ask anyone at Media Ventures these questions: What got you started in film music? How long have you been doing it? Have you ever done it for free? Have you ever wanted to do anything else in the film business? Like act or something? And the most important question of all: CAN I PLEASE HAVE COPIES OF ALL YOUR SCORES?Clay G. NP The Fan (Hans Zimmer)
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posted 08-25-2000 07:52 PM PT (US) ip
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Patrick

Oscar® Winner
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Scott, Point is you write well and post excellent topics and besides I thought the way you spelled favorite was kinda cool. Who cares how you spell or tipe. Top speed for an European swallow is 27.8723 mph..........no wait that was a laden swallow...dang where's Rocco when you really need him
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posted 08-25-2000 07:57 PM PT (US) ip
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Scott

Oscar® Winner
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Hhahaha, thanks, Patrick. Hear that Jeron. Scotty
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posted 08-25-2000 10:21 PM PT (US) ip
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Jeron

Oscar® Winner
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Well... spelling favorite as favovirte is kind of a country/texan/german/weird-o way about verbalizing the word, so Scott - I won't knock you for that one. It's your inner child reaching out to the rest of the world!And hey!! ask 'em "if they know Jeron" ???? What's that supposed to mean?? Mr. J [This message has been edited by Jeron (edited 26 August 2000).]
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posted 08-26-2000 12:40 AM PT (US) ip
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Patrick

Oscar® Winner
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Actually, Jeron, the way Scott spells favorite is quite correct. His spelling of the word is literally 3rd century latin. A good example is 'Pubicus errectus por favovirte'. Roughly translated that sentence means ......well if I translated it I would get kicked of the site so best to just leave it.
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posted 08-26-2000 01:27 AM PT (US) ip
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Camillu

Oscar® Winner
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LOL, Patrick.
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posted 08-26-2000 02:04 AM PT (US) ip
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Jeron

Oscar® Winner
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Haha... oh. okay - I understand now. Scott, Patrick - you guys just keep up the good work.
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posted 08-26-2000 09:07 AM PT (US) ip
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Scott

Oscar® Winner
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quote: Originally posted by Jeron: country/texan/german/weird-o way about verbalizing the word, so Scott - I won't knock you for that one. It's your inner child reaching out to the rest of the world!And hey!! ask 'em "if they know Jeron" ???? What's that supposed to mean?? Mr. J [This message has been edited by Jeron (edited 26 August 2000).]
Lol. So now I am German, Texan,Country,and weird all at once hey? Cool. "if they know Jeron" what is that supposed to mean. Lol. Let your imagination run wild on that one buddy. Mr. J? So now you are Mr. J? The day I call you Mr. J will be the day I start putting ten bubble gums in my mouth and start speaking with a Texan accent. Scotty
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posted 08-26-2000 10:48 AM PT (US) ip
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Scott

Oscar® Winner
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quote: Originally posted by Patrick: Actually, Jeron, the way Scott spells favorite is quite correct. His spelling of the word is literally 3rd century latin. A good example is 'Pubicus errectus por favovirte'. Roughly translated that sentence means ......well if I translated it I would get kicked of the site so best to just leave it.
You see, after all these years I finally found out what my problem is when it comes to my spelling. Thanks Patrick... now back to our regular scheduled program. Scott
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posted 08-26-2000 10:49 AM PT (US) ip
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Scott

Oscar® Winner
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quote: Originally posted by Jeron: Haha... oh. okay - I understand now. Scott, Patrick - you guys just keep up the good work.
Now Jeron, what is that supposed to mean? Scott
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posted 08-26-2000 10:51 AM PT (US) ip
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joan hue

Oscar® Winner
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I have been happily married for 27 years and love my husband. However, I also adore the music of Elmer Bernstein and Jerry Goldsmith. So I guess I'd ask them if either would leave their wives and marry me...and then write TONS of western themes just for me.  I wish Hollywood would produce more westerns and hire these two guys. NP Magnificent Seven
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posted 08-26-2000 12:31 PM PT (US) ip
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Cole

Oscar® Winner
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-John Williams: "is your ego really as big as everyone says it is?" -Jerry Goldsmith: "Why do u score so many B movies? is money always more important than aristry?" -Horner: "Do u really think we dont notice what you r doing with that same theme u use over and over?" -Elfman: "are u really that weird or is it just a front so u will get that whole misunderstood artist thing?" -Barry: "you really hate monty norman dont u?" -Eric Serra: "do u have a day job?" -Goldenthal: "what happened to you as a child?" -Harry Gregson Williams/David Arnold/Bruce Broughton: "Does jeron ever get on your nerves?"[This message has been edited by Cole (edited 26 August 2000).]
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posted 08-26-2000 01:40 PM PT (US) ip
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Patrick

Oscar® Winner
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Patrick:" "So tell me James, would you've written soundtracks to movies like Braveheart and Titanic if you'd realized that some very bright and gifted people at moviemusic.com would accuse you of stealing themes from yourself and being too melodic?"J.H.:"I stole from myself?" Patrick:"Yep" J.H.:"And my music's too melodic ---to pretty?" Patrick:"Yep" J.H.:" Does anybody at that site like me?" Patrick:"Yep........me" J.H.:"But you're really wierd, you know that, right?" Patrick:"Yep"
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posted 08-26-2000 04:13 PM PT (US) ip
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Scott

Oscar® Winner
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With all due respect, the question was,"What would you ask a composer if you had the chance to interview him/her", not ten easy ways to commit suicide. Scotty
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posted 08-26-2000 05:23 PM PT (US) ip
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joan hue

Oscar® Winner
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LOL Scott.I doubt, Patrick, if James Horner gives a darn about what any of us on any Board think of his music. If I met him, I'd ask if he laughs all the way to the bank and if he'd like to give some of his millions to ME! NP Legends of the Fall..very melodic
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posted 08-26-2000 05:28 PM PT (US) ip
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JJH

Oscar® Winner
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On a more serious note, I'd like to ask Thomas Newman just why the hell he felt it necessary to take credit for Arvo Pärt's work.Parts of Meet Joe Black are nothing but rips of Pärt's wonderful piece called Fratres, which is actually scored several different ways. There's a link somewhere that shows what I mean. just gotta find it....will post it at that time.
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posted 08-26-2000 07:01 PM PT (US) ip
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JJH

Oscar® Winner
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found it: http://www.npr.org/programs/pt/news/features/moviemusic there are several scores compared here; somehow, with these clips, I'm not getting their Ruchard Strauss/ Superman connection. The "Dumsky" piece by Antonin Dvorak interested me, expecially after hearing all about the John Williams/ Les Baxter incident.
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posted 08-26-2000 07:10 PM PT (US) ip
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Patrick

Oscar® Winner
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Great link JJh. Thankyou !!Scott: Lol back.........still there was a question somewhere in that reply. Joan: Agreed. He probably still is laughing on his was to the bank(s)
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posted 08-26-2000 07:57 PM PT (US) ip
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Patrick

Oscar® Winner
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Didn't mean the "wink" thing JJH. It went into the wrong place. Was intending it for Scott. I liked your link allot. (I'll never talk to three people in one post again.)
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posted 08-26-2000 08:01 PM PT (US) ip
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JJH

Oscar® Winner
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I can't believe you winked at me. I feel violated... anyhoo,
for anyone interested, the NPR website has a TON of stuff on film music; articles, broadcasts, etc. Quite surprising. And on a related note, the NPR Milestones of the Millenium CD on Film Music is quite good. NP -- Hudsucker Proxy DVD
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posted 08-26-2000 09:26 PM PT (US) ip
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Scott

Oscar® Winner
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LOLThat was some of the funniest things I have read here yet. Patrick , JJH, can u continue this...it's just hilarious. Scotty
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posted 08-26-2000 10:30 PM PT (US) ip
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Scott

Oscar® Winner
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quote: Originally posted by JJH: found it: http://www.npr.org/programs/pt/news/features/moviemusic there are several scores compared here; somehow, with these clips, I'm not getting their Ruchard Strauss/ Superman connection. The "Dumsky" piece by Antonin Dvorak interested me, expecially after hearing all about the John Williams/ Les Baxter incident.
Wow. Very interesting. Don't know what to say or how to respond to this or even what to think of it.
Hmmm.... JJH...I hate u now for sure.  Scott
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posted 08-26-2000 10:46 PM PT (US) ip
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joan hue

Oscar® Winner
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Patrick basically said, “Yep, I’m weird.” WEIRD? WEIRD? That is putting it mildly. Scott, you should see this guy! Well, his one brown eye is nice, a little centered (Cyclopean?), but nice. And he does have color coordinated eye patches for the other missing eye. His lisp is very pronounced as schools didn’t have speech therapists in the l800’s. (I’m significantly younger than this weird guy.) His snaggle tooth makes saber tooth tigers look like they wore braces. His right foot is O.K. The left flipper..oh, well, he is sensitive about that. Webbed hands, but he can type slowly. Nice mouth, but the gills look a tad bit strange. Plastic surgeons say in another year or two, they can build a small nose.Bizarre hobbies and brain. Always playing loud action music while karate chopping helpless animals that happen to wander across his yard. He has definitely kept the cat population minuscule in his neighborhood. Writes terrifying horror novels. Check out Amazon.com, click on books, type in the name Patrick Whalen, and read about blood and guts. My daughters read his novels, and I’ve paid out billions in counselor fees for their recovery. I happen to know that he played Conan The Barbarian, Quigley Down Under, and other action soundtracks during his writing sessions. When I was little, he knocked my front tooth out with a BB gun, so it’s capped. Oh, well, his front tooth is capped too thanks to a flying wrench. Don’t mess with Board Mom. He bought Giant, Ben Hur, and Ten Commandments, and then held my head in the toilet until I coughed up my meager allowance for Bandolero, and the rest is history. We became soundtrack addicts. “He ain’t heavy; he’s my brother.” I have all the normal genes. He just inherited denim jeans. Warning: he is in therapy (maybe lock-up by now) for pathological lying, so any response he has to this thread that in any way demeans me is NOT the truth. But I must say that I LOVE WEIRD. NP Sons of Katie Elder
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posted 08-26-2000 10:48 PM PT (US) ip
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Patrick

Oscar® Winner
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Geez JJH....I thought JJH was short for for Joan J. Hue. If I'd known you were a guy I'd have never winked at you.NP The Crying Game
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posted 08-26-2000 10:49 PM PT (US) ip
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Patrick

Oscar® Winner
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I just got flamed by my own sister. Im telling Peter K. and Dad.I just got flamed by the Board Mommie!! I really am telling Peter K. Joan is so off topic in this thread. And she is exaggerating. I love animals! Luv ya sis. Dad......guess what Joanie Kay did Waaaaaaaaa
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posted 08-26-2000 11:04 PM PT (US) ip
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Scott

Oscar® Winner
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:O Scott
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posted 08-27-2000 01:24 AM PT (US) ip
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joan hue

Oscar® Winner
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I’d love to meet the ghost of M. Rosza. I’d ask him if he was a strongly religious man. I’ve always wondered about his inspiration for the melodies in King of Kings and Ben Hur. His ability to musically portray God seems unsurpassed, although Newman’s The Greatest Story Ever Told and Bernstein’s Ten Commandments are also superb.I’d ask Jerry Goldsmith if he prefers the avant-garde, atonal style of Planet of the Apes and Hollow Man to his more melodic writings. I’d ask any composer if he/she has a preference for certain types of movies for scoring such as action, romantic, adventure, etc., or if they want variety in subjects. Guess I’d just drive them all nuts with questions. NP Cinema’s Classic Romances
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posted 08-27-2000 08:15 AM PT (US) ip
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Timmer

Oscar® Winner
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I'd ask Jerry Goldsmith and ENYA why they keep nicking riffs from Jamie Horner?!
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posted 08-27-2000 09:22 AM PT (US) ip
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Patrick

Oscar® Winner
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I'd ask John Debney which kind of soundtracks he enjoys writting the most: rousing adventure scores like White Fang II or scarey joltingly frightening scores such as Komodo
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posted 08-27-2000 10:27 AM PT (US) ip
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