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Author	Topic: This one cue...

Philipp Oscar® Winner	... that always blows you off your feet, everytime you hear it is...? FATE HAPPENS/DEATH OF A MAD SON from Dead Again, by Patrick Doyle. This is such a great, operatic action cue, with choir, big orchestra. Just unbelievable stuff. Philipp np: dead again (doyle)
posted 04-10-2002 09:20 AM PT (US)

Justin Oscar® Winner	A Wing & A Prayer - Armageddon Yeah that's right!
posted 04-10-2002 09:31 AM PT (US)

Timmer Oscar® Winner	Arthur's Farewell from FIRST KNIGHT (also known as 'Never Surrender' which I think is a far better title) is one of Goldsmith's most kick ass tracks, thunderously pounding with full choir it's epic stuff indeed! I'll leave it at that, I could list loads more but then it just becomes another boring list.
posted 04-10-2002 10:07 AM PT (US)

Pete M Oscar® Winner	There's far too many to mention, but the first two that leapt into my head (for some completely bizarre reason, maybe to do with what I've been thinking about recently or something) were: The Creation Scene - Mary Shelley's Frankenstein (Doyle). Furious, full on - woah!! Death Dance - Alien3 - Elliot Goldenthal. Utterly insane, nasty. Pure Goldenthal magic. If I started to think about this at all, then there'd be just a huge long list, which would get boring. So I won't. Oh, damn too late. How about Raisuli Attacks, or The Hunt, or Retreat, or.... Better stop there methinks. NP Medal of Honor Underground
posted 04-10-2002 10:23 AM PT (US)

Quill Oscar® Winner	The one that always twists my gut... ...the stretch from Glory when they are marching onto the beach. Or when the force theme kicks in when Vader tosses the Emperor in Return of the Jedi. Or...nevermind.
posted 04-10-2002 10:26 AM PT (US)

OHMSS76 Oscar® Winner	The finale of Bernsteins recording of the SPELLBOUND CONCERTO by Rozsa.... the entire Taarna sequence of HEAVY METAL by Bernstein... Final Flight from NIGHT CROSSING by Goldsmith... Michael's Gift to Karen from BRAINSTORM by Horner... The Balloon from BARON MUNCHAESEN by Kamen... You Are The Pan from HOOK by Williams... Saturn Rising from THE QUIET EARTH by Charles... The Final Day from MISHIMA by Glass... End Title from ENEMY MINE by Jarre... Lux Aeterna from BLESS THE CHILD by Young... The Beach from VERTIGO by Herrmann... Scherzo Macabre from JASON & THE ARGONAUTS by Herrmann... Tango Urilla from STARSHIP TROOPERS by Poledouris The Shawshank Redemption from...by Newman Kaddish for 6 Million from QBVII by Goldsmith... The Web Of Destiny Part II from LIFEFORCE by Mancini... Anything film score fans love, it's a list...I could go on day with this, but will spare the agony of scrolling to you fine people Sean
posted 04-10-2002 10:49 AM PT (US)

Dinko Oscar® Winner	Too many to name... The only tracks to "blow me away" lately (since last summer actually) would be tracks 7 and 8 from Arnold's The Musketeer.
posted 04-10-2002 10:51 AM PT (US)

Brendan Anderson Oscar® Nominee	Full orchestral "knock you off your feet" glory music is just another day at the office for David Arnold Let's have a look-see: Independence Day End Credits Stargate Overature Battle at the Pyramid (Stargate) Going Home (Stargate) Fight Inn (The Musketeer) Wing Commander Theme Faith and Courage (Last of the Dogmen) Good in a Good Way (Last of the Dogmen) ...all of those are of course highly recommended But here are some "honorable mentions": Adagio and Transfiguration - Final Fantasy Breakout - Dinosaur The Egg Travels - Dinosaur Overature - Much Ado About Nothing The Burning Bush - Prince of Egypt The Second Coming - Final Conflict Sand Castles - The Mummy Returns Finale - Batman King of Pride Rock - The Lion King A Change of Heart - The Grinch Main Title/Morgan's Ride - Cutthroat Island Ride the Dragon - Shrek Adventure on Earth - E.T. ...okay, so that's a pretty random list, but those are some of the best -Brendan p.s. let me reiterate: if you don't have Last of the Dogmen, find it and get it NOW!
posted 04-10-2002 10:57 AM PT (US)

Shaun Rutherford Oscar® Winner	Timmer, I actually like "Arthur's Farewell" because it's a misleading title. It sounds like it's going to be a "boring" cue from reading the title, so you mentally prepare yourself for that. And when it turns out to be this HUGE choral cue, it's that much more of a ballgrabber! Shaun
posted 04-10-2002 11:36 AM PT (US)

Jeron Oscar® Winner	"Leaving Forever" from Last of the Dogmen by David Arnold. Gives me goosebumps every time.
posted 04-10-2002 12:09 PM PT (US)

SFT Oscar® Winner	"The Grand Finale" from Elfman's EDWARD SCISSORHANDS. SFT
posted 04-10-2002 01:28 PM PT (US)

Al Oscar® Winner	"Where?" from Mission to Mars. It too grabs balls.
posted 04-10-2002 01:29 PM PT (US)

Lancelot Oscar® Winner	"this one cue"....ONE. crimony, this type of post never works.
posted 04-10-2002 02:43 PM PT (US)

scoreguy16 Oscar® Winner	-The Grand Finale from Edward Scissorhands -Coffey On The Mile from The Green Mile -Journey To The Line (Pearl Harbor Trailer Mix) from The Thin Red Line -The Death of Thomas and The Parish Church Aflame from The Patriot -Blow-Out from Armageddon -Operation Dinner Out from Spy Game -Pretty much all of Pearl Harbor -The Grand Finale from The Family Man -The original trailer music from Titanic -There's a track in Courage Under Fire towards the end when the real story is finally being told and everything goes to slow motion and the strings get really low and loud and it's very dramatic. To bad it wasn't released. Clayton NP: Deep Blue Sea (Trevor Rabin) [Message edited by scoreguy16 on 04-10-2002]
posted 04-10-2002 04:38 PM PT (US)

John Dunham Oscar® Winner	Well, there's clearly "Across the Desert" and ESPECIALLY "Meeting The Herd" from JNH's Dinosaur. There are also things like "Escape To India" from Glass' Kundun and "The Road To Masada" from Goldsmith's Masada. A few others that come to mind, Yoko Kanno stuff because I've been listening to it lately; Moon, from Yoko Kanno's Turn A Gundam. Also Chain, from Yoko Kanno and Hajime Mizoguchi's Escaflowne, and Black Escaflowne, from their score for the movie. ELM and Green Bird from Kanno's Cowboy Bebop scores. I could always come up with more... John
posted 04-10-2002 05:16 PM PT (US)

Al Oscar® Winner	Not to mention "Truth Be Known" from Christopher Young's "Murder In The First." [Message edited by Al on 04-10-2002]
posted 04-10-2002 05:38 PM PT (US)

Marian Schedenig Oscar® Winner	quote: Originally posted by Pete M: The Creation Scene - Mary Shelley's Frankenstein (Doyle) Nonononono: The Wedding Scene! Others: The Dark Side Beckons, Binary Sunset, Children's Story (ST: Insurrection), The Breaking of the Fellowship, The Hunt (The Final Conflict & Planet of the Apes), The Football Game (Sleepers),...
posted 04-10-2002 05:59 PM PT (US)

Ed Oscar® Winner	The Finale from THE EMPIRE STRIKES BACK. It gets me every time.
posted 04-10-2002 05:59 PM PT (US)

Dr Know Oscar® Nominee	The End Credits from Silvestri's The Mummy Returns -- you know, the cue that was left off the commercially released soundtrack and is available only on the boot. Man oh man.
posted 04-10-2002 06:10 PM PT (US)

Dinko Oscar® Winner	quote: Originally posted by Lancelot: *"this one* cue"....[b]ONE**. crimony, this type of post never works.[/B] Because no dictatorial moderator is around to enforce the rule. If FishChip were to erase all answers which contain more than one entry, it would work.
posted 04-10-2002 06:13 PM PT (US)

jonathan_little Oscar® Winner	One?! I can't narrow it down to one! Wind and the Lion - "Main Title" Night Crossing - "Main Title" Tess - "Tess" (the first track ) Good, Bad, Ugly - "Ecstacy of Gold" Airport - "Main Title" -- Are there any other recordings of this besides the album and what Gerhardt did? The album version seems to suffer from a tempo problem in places and Gerhardt... well, he didn't exactly get it right, either. Star Wars - "Main Title" (duh) Sodom and Gomorrah - "Overture" I have to agree with Al's suggestion of "Where?" from Mission to Mars, which is another great piece of music. John Dunham brought up "Road to Masada" and I'll have to second that one as well.
posted 04-10-2002 06:30 PM PT (US)

Timmer Oscar® Winner	Jonathan, Ectasy Of Gold is THE benchmark, all the above mentions (including mine) come second to this. Film music at it's most ecstatic and fantastical, one of THE best individual score tracks ever written!
posted 04-10-2002 06:54 PM PT (US)

jonathan_little Oscar® Winner	You know, that track gives me chills up my spine every time I listen to it. Maybe I need to get out more or something. NP: Last Stand at Saber River (Shire)
posted 04-10-2002 07:03 PM PT (US)

Ace Oscar® Nominee	This isn't exactly a soundtrack, but it definately makes gets me going. I'm surprised that it hasn't been mentioned here, yet. It's POMPEII by E.S. Posthumus. Listening to it makes me want to run around the house like crazy (or like spiderman ). My alltime favorite cue that makes me feel this way has been mentioned a couple times, the end credits from The Empire Strikes Back.
posted 04-10-2002 07:20 PM PT (US)

UCFKevin Oscar® Winner	Superman The Movie: Helicopter sequence, Clark rips open his shirt for the first time and BAM!!! There's one of the greatest themes of all time triumphantly played. VERY close to being matched when he actually catches the chopper. Man...EVERYTIME, I get chills. Raiders of the Lost Arl: Indy swims to the other sub. Batman Returns: The batsignal is activated and Bruce, sitting alone in the dark in a huge room sees it and stands up. Star Wars: Oh man...there are many. Trench Run: "Use the Force, Luke!" Wampa Cave, using the force to get the saber Finale of ESB: Luke hanging onto the antennae...probably THE most beautiful moment of William's history, IMO Vader tosses the Emperor down the core. Luke sets his father on fire.
posted 04-10-2002 09:18 PM PT (US)

André Lux Oscar® Winner	"Everywhere" from POWDER (Jerry) "Non Nobis Donine" from HENRY V (Patrick) "Bud on the Ledge" from THE ABYSS (Alan) "Luke Cut Vader's Hand" from ROTJ (John) "The Enterprise" from ST-TMP (Jerry) And others I cannot remember now...
posted 04-10-2002 09:39 PM PT (US)

John Zimmer Oscar® Winner	Red Sea (Zimmer) The Prince Of Egypt Knights In Armour (Jones) The Mighty Journey to the Island (Williams) Jurassic Park King of Pride Rock (Zimmer) The Lion King The Tide Turns/The Death of Darth Maul (Williams) The Phantom Menace Charging Fort Wagner (Horner) Glory Jz NP: TPM (JW) LSO
posted 04-11-2002 07:13 AM PT (US)

Pete M Oscar® Winner	quote: Originally posted by Marian Schedenig: *Nonononono: The Wedding Scene!* Oh yeah, that's great too. Plus there's this one I'm listening to right now: Dar the Hero (Beastmaster 2)
posted 04-11-2002 08:13 AM PT (US)

nightwing Oscar® Nominee	Since I was just thinking about X-Men, how about the Fight in the Statue of Liberty, especially when Storm uses her stormness, and also the X-Jet. The Natural Theme For Love of the Game Finale
posted 04-12-2002 08:11 AM PT (US)

dgoldwas Oscar® Winner	quote: Originally posted by André Lux: "Luke Cut Vader's Hand" from ROTJ (John) is that the actual track title? Dan
posted 04-12-2002 08:16 AM PT (US)

André Lux Oscar® Winner	Nope. Can't remember the "official" track title.
posted 04-12-2002 09:59 AM PT (US)

John Zimmer Oscar® Winner	quote: Originally posted by André Lux: Nope. Can't remember the "official" track title. I belive your look for... 7. THE BATTLE OF ENDOR II (10:03) (Leia Is Wounded/The Duel Begins/Overtaking the Bunker/The Dark Side Beckons*/The Emperor's Death) CD 2 (Total Time: 74:45) Jz
posted 04-12-2002 12:16 PM PT (US)

Marian Schedenig Oscar® Winner	Yeah, I was just going to post that. André, how could you POSSIBLY forget one of movie music's most important track titles? Shame on you and your sausage! Incidentally, I just heard that bit in the film on TV.
posted 04-12-2002 03:06 PM PT (US)

scoreguy16 Oscar® Winner	I forgot one score that's very emotional and beautiful! My Life by John Barry! I love this score so I can't pick out just one track. But I'd say the tracks Main Title, The Old Neighborhood, D-Day and End Title are the bestest! Clayton NP My Life
posted 04-12-2002 08:10 PM PT (US)

morpheus Oscar® Nominee	quote: Originally posted by UCFKevin: Superman The Movie: Helicopter sequence, Clark rips open his shirt for the first time and BAM!!! There's one of the greatest themes of all time triumphantly played. VERY close to being matched when he actually catches the chopper. Man...EVERYTIME, I get chills. Raiders of the Lost Arl: Indy swims to the other sub. Batman Returns: The batsignal is activated and Bruce, sitting alone in the dark in a huge room sees it and stands up. Star Wars: Oh man...there are many. Trench Run: "Use the Force, Luke!" Wampa Cave, using the force to get the saber Finale of ESB: Luke hanging onto the antennae...probably THE most beautiful moment of William's history, IMO Vader tosses the Emperor down the core. Luke sets his father on fire. Every one of these descriptions made we want to run out and hire the movies right now!!!
posted 04-13-2002 11:35 PM PT (US)

morpheus Oscar® Nominee	"Dawning" from SHACKLETON'S ANTARCTIC ADVENTURE (Sam Cardon) "Montana" from THE HORSE WHISPERER (Thomas Newman) "Theme de Camille" from CONTEMPT (Les Mepris)... and CASINO(Delerue) "Throw the Coins" from SENSE AND SENSIBILITY (Doyle) "I Promessi Sposi" from (funnily enough) I PROMESSI SPOSI (Morricone) "Arrival at the Palace" from ANNA AND THE KING (Fenton) THE GHOST AND MRS MUIR (Herrmann) Track No 9 from the 20th Century Fox MUSIC FROM THE GOLDEN AGE compilation. I'm a fairly recent "convert" to film music and I'm sure that most of my choices reflect this but I am gradually working my way back, so to those of you who are shocked at the absence of earlier composers...I'm working on it and would appreciate any suggestions that people would care to give me from the dead guys!
posted 04-14-2002 12:03 AM PT (US)

nightwing Oscar® Nominee	Much Ado About Nothing Track 1 (The Picnic) from about 1:01-2:28 One of the greatest scores ever written.
posted 04-14-2002 08:23 PM PT (US)

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