The MovieMusic Store shopping cart   |  sign in
    SEARCH  
  • Home
  • Browse Store
    • New Soundtrack CDs
    • Top Sellers
    • Low Price New CDs
    • Used CDs
    • Soundtrack Compilations
    • Score Composers
    • Soundtrack Labels
    • Soundtracks by Year
    • ... detailed search page
  • Store Info
    • Happy Customers!
    • $1 Shipping
    • Accepted Payment Methods
    • Safe Shopping Guarantee
    • Shipping Rates & Policies
    • Our Privacy Policy
    • About Us
  • Help Center
    • My Account
    • How to Order
    • Search Tips
    • Return/Refund Policy
    • Cancelling Your Order
    • Contact the Store
  • The Lobby
  •   Message Boards
      Movie Soundtracks
      Universal Music Group, the first label to get a clue?

    Archive of old forum. No more postings.

    Please visit our new forum, The MovieMusic Lobby, to post new topics.

    Author
    Topic:   Universal Music Group, the first label to get a clue?

     PeterK
     Click Here to Email PeterK
     FishChip
     

    UMG Institutes a $12.98 Manufacturer Suggested Retail Price on Virtually all Top Line CDs

    NEW YORK and SANTA MONICA, Calif., Sept. 3 -- Universal Music Group (UMG) announced today an aggressive plan to significantly reduce the cost consumers pay for CDs by decreasing its wholesale prices and by instituting a $12.98 Manufacturer Suggested Retail Price (MSRP) on virtually all top line CDs in the U.S. New pricing policy goes into effect October 1.


    Let's hope soundtracks will be included in this bold move, and that other majors (and indies) will follow in the footsteps of the world's largest music company.

    Edit/Delete Message   Reply w/Quote

    posted 09-03-2003 12:08 PM PT (US)     

     Ed
     Standard Userer
     

    Experts have been saying this would happen since 1987, so this is long, long overdue. Then, the $16.99 price was widely expected to drop to around $7.99 as the technology replaced LPs and cassettes.

    I oppose piracy, but it doesn't take a genius to figure out that if you systematically overchage people for decades, they will eventually find a way around you. Hence file-sharing.

    This may also be tied to recent news that CD sales are expected to contine to slump in favor of "on-demand" downloading.

    Edit/Delete Message   Reply w/Quote

    posted 09-03-2003 12:54 PM PT (US)     

     Crono/Kyp
     Click Here to Email Crono/Kyp
     Standard Userer
     

    About damn time.

    --Brian

    Edit/Delete Message   Reply w/Quote

    posted 09-03-2003 03:59 PM PT (US)     

     Alexborn007
     Click Here to Email Alexborn007
     Standard Userer
     

    Well, Decca (Road To Perdition, Mummy & Mummy Returns, and Spy Game are some Decca releases) is part of the Universal music company so we can look forward to 12.99 CDs from that label

    This is good news!

    Edit/Delete Message   Reply w/Quote

    posted 09-03-2003 04:05 PM PT (US)     

     jonathan_little
     Click Here to Email jonathan_little
     Standard Userer
     

    That's, like, totally amazing. Now let's hope that Universal opens up their score vaults once they get situated with GE.

    [Message edited by jonathan_little on 09-03-2003]

    Edit/Delete Message   Reply w/Quote

    posted 09-03-2003 06:02 PM PT (US)     

     Spicy Ramen
     Click Here to Email Spicy Ramen
     Standard Userer
     

    Bah, its nothing more than lip service. Wasn't it a while ago that the record labels were sued for artificially raising the prices of CD's, not much came outta it.

    Edit/Delete Message   Reply w/Quote

    posted 09-03-2003 07:32 PM PT (US)     

     jonathan_little
     Click Here to Email jonathan_little
     Standard Userer
     

    Spicy, the distribution of the settlement payments has been delayed since four individuals have filed appeals saying that the settlement is not fair.

    [Message edited by jonathan_little on 09-04-2003]

    Edit/Delete Message   Reply w/Quote

    posted 09-04-2003 10:56 AM PT (US)     

     Spicy Ramen
     Click Here to Email Spicy Ramen
     Standard Userer
     

    quote:
    Originally posted by jonathan_little:
    Spicy, the distribution of the settlement payments has been delayed since four individuals have filed appeals saying that the settlement is not fair.

    [Message edited by jonathan_little on 09-04-2003]



    My point exactly. Cd sales are have already declined dramatically over the past few years. By the time the settlement comes, record stores may already be a thing of the past. These big media conglomerates will continue to maintain the prices that they have now.

    Went to a record store yesterday, didn't see any price drops on any cd whatsoever.

    For the record industry, they justify the high costs of cd's because of marketing. Similar to computer software, you are not paying for the discs per se but for the creation by the programmer/musician. Add the fact that you cannot sell a CD without a music video or billboards adorning your local city the costs will continue to skyrocket.

    Edit/Delete Message   Reply w/Quote

    posted 09-04-2003 06:28 PM PT (US)     

     Alexborn007
     Click Here to Email Alexborn007
     Standard Userer
     

    Well, I'm also disappointed to say that I picked up a Decca release today and it was still the hefty 16+ price. Ugh.

    Edit/Delete Message   Reply w/Quote

    posted 09-04-2003 06:32 PM PT (US)     

     ManOfSorrows
     Click Here to Email ManOfSorrows
     Standard Userer
     

    "New pricing policy goes into effect October 1."

    So...?

    Edit/Delete Message   Reply w/Quote

    posted 09-04-2003 06:49 PM PT (US)     

     jonathan_little
     Click Here to Email jonathan_little
     Standard Userer
     

    Well, seeing lower prices is not going to be an overnight thing. First of all, the press release states a date of October 1st for the repricing scheme to begin to take effect. Then it's going to take a while for the new prices to be entered into store databases. After that it's going to be a bit longer for the actual physical products sitting on the shelves to be stamped with a new price (if that ever happens at all.)

    (Darn. Man'o beat me to the punch)

    [Message edited by jonathan_little on 09-04-2003]

    Edit/Delete Message   Reply w/Quote

    posted 09-04-2003 07:07 PM PT (US)     

     Spicy Ramen
     Click Here to Email Spicy Ramen
     Standard Userer
     

    quote:
    Originally posted by ManOfSorrows:
    "New pricing policy goes into effect October 1."

    So...?


    This is in regards to the lawsuit brought on that the music labels were artificially inflating the prices of CDs. Yeah, they got sued, but did it affect the price of the CD's? Nope.

    Seems to me like a promotional ploy from Universal to get people to go out and get their CD's.


    Edit/Delete Message   Reply w/Quote

    posted 09-04-2003 07:09 PM PT (US)     

     PeterK
     Click Here to Email PeterK
     FishChip
     

    quote:
    Originally posted by Spicy Ramen:
    Seems to me like a promotional ploy from Universal to get people to go out and get their CD's.

    Exactly right. Too many people are illegally downloading for free, which is not the way the company wants to people to get the music. This is one helluva promotion, and I hope it sticks. The only way it will work is if the 30% decline in price, therefore revenue, is made up in at least a 30% increase in number of CDs sold. The new $12.98 price tag offers more opportunity for "impulse" purchases, which is very very similar to what WB did with their DVDs.... with remarkable success.

    I have noted in interviews with Universal executives that certain titles will not be included in the price drop, classical genre being one of them. I saw no clear indication that scores (like those on Decca) would see price drops, and fret a little that the musicians union re-use fees would prevent a drop in score CD prices. It's only a matter of weeks before we find out.

    Anyone want to find the newest post-Oct 1 score release from Decca to see if we're in luck? Go for it....

    Edit/Delete Message   Reply w/Quote

    posted 09-04-2003 07:40 PM PT (US)     

     justin boggan
     Click Here to Email justin boggan
     Standard Userer
     

    Exactly right. Too many people are illegally downloading for free,

    I agree with PeterK.

    We can only encourage them by stopping all together that nasty little habibt.

    Edit/Delete Message   Reply w/Quote

    posted 09-05-2003 12:17 PM PT (US)     

     Alexborn007
     Click Here to Email Alexborn007
     Standard Userer
     

    quote:
    Originally posted by justin boggan:
    Exactly right. Too many people are illegally downloading for free,

    I agree with [b]PeterK.

    We can only encourage them by stopping all together that nasty little habibt.[/B]



    Easier said than done

    Edit/Delete Message   Reply w/Quote

    posted 09-05-2003 12:49 PM PT (US)     

     Spicy Ramen
     Click Here to Email Spicy Ramen
     Standard Userer
     

    quote:
    The new $12.98 price tag offers more opportunity for "impulse" purchases, which is very very similar to what WB did with their DVDs.... with remarkable success.


    Funny how some DVD's are cheaper than buying CD's...

    Music labels have been ripping us off for the past decade or so. They need to overhaul the whole way they do business.


    Edit/Delete Message   Reply w/Quote

    posted 09-05-2003 02:04 PM PT (US)     

     Dinko
     Click Here to Email Dinko
     Standard Userer
     

    Which DVDs? The ones that already broke even at the (domestic & international) box office? The ones that already broke even and made huge profits in their 50-year lifetimes?

    I can agree that it's weird how some DVDs are cheaper than many CDs, but the cost/profit structure of the two is completely different. I don't think the DVD/CD price argument holds.
    CDs have to sell to make a profit. Most DVDs offer movies which have already turned in a profit.

    I don't think labels have been "ripping us off", especially when it comes to large-scale orchestral recordings. Although the labels certainly could have stimulated more sales with lower prices.

    Edit/Delete Message   Reply w/Quote

    posted 09-06-2003 03:34 PM PT (US)     

     Spicy Ramen
     Click Here to Email Spicy Ramen
     Standard Userer
     

    quote:

    I can agree that it's weird how some DVDs are cheaper than many CDs, but the cost/profit structure of the two is completely different. I don't think the DVD/CD price argument holds.
    CDs have to sell to make a profit. Most DVDs offer movies which have already turned in a profit.


    From an economic standpoint, if you want real statistics it's the label that makes most of the money and not the artists.

    The price gauging I am referring to is the unequal distrubtion of the revenue. How much does an artists make off his cd? Less than a dollar per cd sold. Subsidies by music labels to record stores help keep the prices of CD's high.

    So how can you justify keeping prices of CD's so high when most of the money goes on to support these big conglomerates? Large scale orchestrations or not, many musicians get exploited out of their share of the money. Ask how much a violinist makes in a scoring project. Probably barely enough to get by.


    Edit/Delete Message   Reply w/Quote

    posted 09-06-2003 04:15 PM PT (US)     

     Dinko
     Click Here to Email Dinko
     Standard Userer
     

    quote:
    Originally posted by Spicy Ramen:
    Ask how much a violinist makes in a scoring project. Probably barely enough to get by.

    I have.
    And $200+/hour is not barely enough to get by!!

    Browse around afm.org, and you'll find lots of *.pdf files about musician's fees in North America. Most fees exceed 75$ per musician, per hour. Pay me that, and I'll be more than glad to 'barely get by' and let the label make millions if it can.

    American orchestras, and apparently British ones too, are slowly losing their recording contracts precisely because they make too much and the labels can't afford to pay. The labels are not charity organizations. They're businesses.

    Artists can agree to record or not. Since artists continue to record for the big labels, they get more utility out of recording that way, than recording using other means. As far as I know, Warner doesn't put a gun to Enya's head forcing her to record songs. And she can easily record and make her music available on a website completely unrelated to AOL Time Warner. But she doesn't. If she prefers to record for Warner, I don't give a rat's ass. I'm not her agent to try to get the labels to pay her more.

    What the labels' profit distribution is is really none of my concern, and I fail to see what the point of the argument is, as again I repeat: if the artist records for a major that's a free choice - the artist knows (or can know if she/he wants to) the terms of the contract before agreeing to them.

    [Message edited by Dinko on 09-06-2003]

    Edit/Delete Message   Reply w/Quote

    posted 09-06-2003 04:53 PM PT (US)     

     firefox
     Standard Userer
     

    If you think that soundtracks from your favorite labels will go down in price, you're in for a big shock. Big labels can afford to drop the price on CDs that sell hundreds of thousands or millions of copies. But on small releases that only sell a few thousand if that many, there's simply to way for a label to drop the price and be able to make a profit. It costs too much for them to release a new product for them to be able to drop the price and even hope to break even. Those are just the facts.

    Price lowering will basically result in the big labels only carrying those releases where they can sell enough copies to make up for the small profit margin. So say goodbye to anything that isn't loved by 12-year-old boys and girls. Pretty soon the music market will look just like the film market, where almost everything is geared toward the lowest common denominator in the hopes of massive sales for just a few releases. Then we'll really hear you griping for the good old days when, for $18, you could buy a fabulous soundtrack CD release, whereas now all you can buy is Britneypop for $12.98!

    Edit/Delete Message   Reply w/Quote

    posted 09-06-2003 09:41 PM PT (US)     

     sakman
     Standard Userer
     

    Having heard this discussion on NPR the other day, I was both glad and depressed. Glad because the very overpriced cost of CDs is finally returning to "normal". Sad because one large conglomerate forcing a price reduction will only cause problems for smaller independent labels and stores that cannot eat this cost overall.

    It is no big deal for Wal-Mart, Best Buy, or Barnes and Nobles, to name a few, to drop prices on some product. In fact they can drop all prices until local competition disappears. Such is the case in the metroplex where I reside.

    The reason the music industry is losing money is that they gave up on developing a customer base and sold out to market to teens who are mostly spending their parent's money. Now with families cutting back, even a teen has to think twice before plopping down $20 at the mall for a CD.

    Music in classical and jazz areas suffered because big labels resorted to rehashing the same repertoire and classic performances so much that they undercut any newer recordings from really doing well. Sell outs like "Opera Babes" is only one of many pathetic reasons why that area is in bad shape.

    What will likely happen is the continual buying up of the few independent labels and stores that are left so that the music industry will begin to look like the publishing industry, fewer choices, overhyped, and premium prices returning once the buyouts are complete.

    I hope I am wrong.

    Edit/Delete Message   Reply w/Quote

    posted 09-07-2003 08:19 AM PT (US)     

     Spicy Ramen
     Click Here to Email Spicy Ramen
     Standard Userer
     

    I couldn't have said it better sakman. If you guys are willing to pluck down what I deem to be exorbitant amounts for CD's its your choice. I'm just so sick and tired of the music industry right now.

    Edit/Delete Message   Reply w/Quote

    posted 09-07-2003 10:03 AM PT (US)     

     Dinko
     Click Here to Email Dinko
     Standard Userer
     

    quote:
    Originally posted by sakman:
    Music in classical and jazz areas suffered because big labels resorted to rehashing the same repertoire and classic performances so much that they undercut any newer recordings from really doing well.

    Only part of the problem. There is another major part of the problem: new music is perceived by a large part of classical music buyers as being crap. The labels can record as much of it as they want, people who avoid it in concerts are not likely to buy it on CD.
    You can only imagine how many people avoid 'new works' when you see that orchestras are now beginning to schedule the new works in the middle of a performance. That way it's less convenient for people to walk in late after the new work premieres or to leave early before it starts. If people are that desperate to avoid new music, I cannot imagine the record labels spending hundreds of thousands of dollars recording it.
    So what's left for the labels if they can't record new works is to just rehash what they already have.

    In order for new recordings to be made, particularly of new works, the new works have to be wanted and appreciated. That's not happening right now.
    And even big names and proven repertoire don't assure sales. Apparently the CD version of Rattle's Mahler 5 with the Berlin Philharmonic is not doing too well so EMI is slashing prices almost in half.

    On a related note, try finding Howard Blake's three CBS CDs from the late 1980's. For whatever reason CBS decided to record three classical CDs of music by Howard Blake, including the magnificent Benedictus. I'd really like to know how many copies those discs sold since they were never released a second time, even though they featured big name performers, and a composer who had just become well known for his The Snowman score. It's impossible to find them in used CD stores either. Not to mention an almost complete lack of reviews or articles about them. If Blake's music failed to sell or attract attention, I cannot imagine that other new works have a greater chance. Which brings us back to Beethoven. Old and tired, at least he sells.
    If I had a record label, I'd take my chances on a new recording of Beethoven's 9th symphony than on a new recording of Benedictus, no matter how much better Benedictus is.

    Edit/Delete Message   Reply w/Quote

    posted 09-07-2003 12:29 PM PT (US)     
     

    Old Infopop Software by UBB

    © 1998-2011, The MovieMusic Company